DW flist

Last night genarti and I took advantage of Skirball Theater's remote Halloween production, a virtual Phantom of the Opera broadcast live every night for the next two weeks from a tiny apartment in New York City with a handful of actors, a variety of very small sets and very large cardboard props, and a lot of neat visual/camera tricks.

As a bonus feature, you can see exactly how most of the visual/camera tricks work because there's a second camera set up from the front of the apartment that shows the broader view of the cast and crew rushing around to cram themselves into the tiny sets and lurk in front of walls to cast dramatic shadows and so on. As a viewer, you always have the option to toggle between the main, intended view and the backstage view to see how they're doing whatever they're doing -- tbh this in itself made it worth the price of admission for me, as a person who loves practical effects. See Carlotta's entry evoked by a giant high-heeled foot and then toggle over to the crew member carefully dangling the foot into the frame! Superb!

The production itself evokes the aesthetics of German expressionist film, with an operatic organ soundtrack and most of the dialogue conveyed by classic silent film inter-, sub- or supertitles. It's a shock when the Phantom speaks out loud to Christine, and she speaks back to him. When Raoul says he heard someone in her dressing room, Christine looks understandably baffled by the way this breaks the rules: how could a silent film man hear an angel speak?

Christine can also break the silent film framework to sing, as trained, and, eventually, talk out loud about the Phantom as well as to him, but not about anything else. I love this conceit and I think it's probably the coolest thing the show does thematically. genarti remarked while watching that she'd also never seen a Phantom with this much actual opera in it. The production is definitely interested in Opera qua opera -- trying to say something about Art and the temporality of all artistic media and the fact that opera itself is a dying form, and tbh I'm not sure that it fully landed for me. However this may have been because these Themes were mostly conveyed in a big speech by the Phantom actor at the beginning as he puts on his makeup, and the biggest technical problem with the show (at least on the night that we saw it) was that the Phantom actor's mic was way out of balance with the background music and he was always kind of hard to hear. Which perhaps is thematic in and of itself!

Anyway, I really enjoyed the experience, worth my $20 to sit on my couch with the lights out and toggle between a Spooky Silent Phantom and a tiny apartment full of theater professionals moving tiny sets back and forth to make Spooky Silent Phantom happen, would recommend.