lokifan: Shot of Elphaba and Glinda singing a duet, cartoon heart between them (Elphaba/Glinda)
I’ve been watching more TV than usual lately - I usually watch almost none. Which is nice, because I’ve been able to get to stuff I’ve been meaning to watch for ages.

I watched Our Flag Means Death. I enjoyed it but didn’t love it - probably my expectations were too high. I liked Oluwande, Frenchie and Lucius best and it was a lot of fun in general. Also omg, I know Ed’s heartbroken and all but Stede’s books! Noooooooo!!!

My favourite sitcom of the last year remains, unequivocally, We Are Lady Parts, a hilarious Channel 4 programme about an East London heroine who a) wants to find a nice boy and get married and b) joins an all-female all-Muslim punk band despite her crippling stage fright. So good <3

But the most interesting programme is definitely Kevin Can Fuck Himself, which [personal profile] januarium turned me on to, mostly via her brilliant recruitment vid (on AO3 here):



It’s about a ‘sitcom wife’, beautiful and intelligent and lumbered with a stupid, lazy, often drunk husband who does nothing round the house and says mean things to her and always wins through, a hero who's made an artform of weaponised incompetence. And she’s sick of his shit and decides to murder him.

It’s really clever: basically Allison, the wife, is in a prestige drama and her husband’s in a sitcom, and the show changes lighting and soundtrack and adds a laugh track based on where they are. It’s not just a meta joke, imo: it reflects how Kevin, and his emotional abuse, warps the world around himself. She always gets pulled into his world, the rules based on what’s funny and leads to his eventual victory; he’ll never see things from her perspective. And the whole show is incredibly intelligent and insightful about emotional abuse, and does really nuanced characterisation and some great twists.

Under the cut is like... more meta & a bit of Patty/Allison squee than review? And should be understandable if you haven't seen it, I think.

S1 spoilers - abuse, gender, and my OTP )
lokifan: bb!Draco and (Draco & Lucius: dragging me into your wa)
[personal profile] alley_skywalker asked ‘did Harry ever return Draco’s wand? In person?’

Sorry for the delay… She Who Must Not Be Named’s most recent run of terribleness knocked me off course. I don’t think meta or fic or w/e about Potter is endorsing her, to be clear, but the ‘ugh’ can taint it for me :(



So - I think yes. I tend to think Harry would feel like having Draco’s wand was something unfinished, and he’d return it.

Which could be more or less awkward depending on how things were going legally. (Was Lucius in Azkaban? Was Draco facing trial?)

I think in that conversation Draco might ask about Snape, and perhaps be some combination of pleased and relieved and mightily pissed off. This is actually something I touched on in my fic Sparking Like The Perfect Match, which is Snape/Draco set during DH. It’s relatively close to canon in that Snape is a spy who’s betraying Voldemort, and Draco doesn’t know. He hates Voldemort, but he doesn’t dare fight against him, especially since he’s increasingly close to Snape the Death Eater. When he finds out, part of his reaction is anger: if you’d told me, I could’ve helped you, and been better, and hated myself so much less.

Man, I still think the climax of Harry vs Voldemort would’ve been better if it was Draco throwing the Elder Wand to Harry. That would’ve been great. This moment of Harry and Malfoy’s weird parallel-yet-opposite thing bearing fruit, as they swap wands, this moment of their Seeker skills coming into play as the wand went end over end and Harry caught it, like he always does. Not to mention theme/character-wise: Harry wins because he’s kinder. Draco’s literally marked with the loyalty he swore to Voldemort, but Harry’s the one who saved Draco’s life, who managed to save one of his best friends, not the one who threatened Draco’s family. So Harry wins because he deserves to.

I very rarely do ‘it should’ve been x instead!’ type criticism but in this case I’ll make an exception :) I just love it when themes and character and plot all come together nicely - that’s why I love the ending of Cursed Child so much. “I’ve never fought alone and I never will!” <333

(More days available over here if you'd like to ask a question.)
lokifan: Nina & Mitchell: there's a poison in you (Nina & Mitchell: there's a poison in you)
I’d give s4 a solid 7/10 but this post is just me bitching about the very last scene, lol.

nobody’s paid the price like he has paid the price )
lokifan: Image of River's diary, text "spoilers" (Spoilers: DW)
Spoiler-free reaction: mixed feelings about a couple of aspects, but overall I loved it, and even the stuff I wasn’t a huge fan of was executed flawlessly.

Doing separate cuts for different characters cos this is 1000 words, but it’s 100% pure spoilers, including for the ending.

WELL. WHERE TO BEGIN.

Isaac )

Carmilla )

Speaking of the sisters: Striga and Morana )

Lenore and Hector )

Alucard )

Sypha and Trevor )
lokifan: text: "how many monsters d'you think this place can hold?" (how many monsters)
Still feeling somewhat grumpy and disappointed by the current JKR sitch, but also whatever, the text exists outside the author and I do think this is cool:

For some reason I don’t think I’ve ever posted about this theory of mine, so here goes: Harry is much, much more affected by the Sectumsempra scene and what he almost did to Draco Malfoy than he seems. Lest we forget, in the book he moves on amazingly quickly: Snape sends him to get the Prince’s potions book, Harry hides his real one and brings Ron’s, and Snape gives him detention. Harry at this point is literally covered in Draco’s blood, but he’s not thinking about that: he resists getting detention (and feels it’s unfair of Snape to give it to him!) for eviscerating a classmate, because of Quidditch. Even after that, there’s never any indication that Harry feels particularly guilty. He’s upset that the Prince has led him down this path - “as if a beloved pet had turned suddenly savage - what had [the Prince] been thinking” - but that’s not at all the same. He gets a twinge of conscience when someone brings up Draco’s injury but that’s it. It’s definitely not what we’d expect from a hero who’s just committed a very messy near-murder, even if it was unintended.

But this is not a criticism of Harry! Or indeed the book. Because I don’t think this is Harry being callous. I think it’s Harry being kind of damaged already and then almost killing a classmate in bloody fashion (with a spell that’s for enemies, and Harry would’ve said Malfoy was his enemy but he didn’t mean this.) I think this is, canonically and concretely, Harry going into complete and utter denial.

The denial reading makes sense of what is otherwise a weird lack of guilt. Like, even if you as a reader think Harry is 0% culpable for what happens and could have happened, that’s different from the experience as a person of “I did this thing and then HIS FACE AND BODY WERE SLASHED OPEN AND THERE WAS BLOOD EVERYWHERE.” Especially from a person who often feels guilty for deaths he actively tried to prevent! The Sectumsempra scene is by far the bloodiest in the books, and while Harry’s been through a lot, that’s the first time he ever sees violent injury on that level. But it doesn’t overtly affect him.

Draco disappears from his consciousness after the Sectrumsempra scene in a way that’s really weird. We don’t see Draco coming back to class. (We saw that after Buckbeak, so why not now?) We don’t see the first time he and Harry lay eyes on each other after that spell; we don’t know anything about how Draco reacts. No patented Harry-and-Malfoy glares across the House tables at meals. Literally the next time Draco appears in the text after Sectumsempra is the Tower scene, and after a book in which Harry has become “obsessed with Draco Malfoy” that is such a sharp change.

But it makes sense: Harry is unable to cope with what happened so he’s just ignoring it ferociously )

But all of that is significant, I think, but not THE reason why I think denial is the only reading that makes sense. Harry spends most of HBP telling anyone who’ll listen - Arthur Weasley, Lupin, Ron and Hermione, Dumbledore - that Draco Malfoy has become a Death Eater. They all dismiss him. What Harry hears in that bathroom proves that Malfoy has been threatened all year by a man Malfoy believes can kill him, and that he’s working on a project for that threatening person. GEE I WONDER WHO THAT COULD BE. And Harry doesn’t tell anyone!

WHAT?

That really only makes sense if Harry is in deep denial )

Ginny even brings up Draco’s attempted use of Cruciatus as a reason he should be taken seriously as a threat, and that it’s acceptable for Harry to have reacted that way. Harry has spent the whole book up to this point trying to convince people that Draco’s a serious threat, while the others - Ron and Hermione especially - doubted that Voldemort would have made Malfoy a Death Eater. Now there’s explicit discussion about Draco’s use of an Unforgivable - who trained him to do that, hmm? - and whether Draco should be treated as a real threat. And yet in this conversation, Harry somehow doesn’t bring up how he heard Draco actually say that he’s trying to do something, and his life has been threatened if he doesn’t do it! They never even ask Myrtle about it!!!

DENIAL.
lokifan: Riley from BtVS, text "I worked long and hard to get this pompous" (Riley: pompous)
I had a lovely day, but I’ll post about that tomorrow...

Fandom Snowflake Challenge banner 2018

Day 11

Share a book/song/movie/tv show/fanwork/etc that changed your life. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.


This is gonna sound like it’s cheating but I’ve been meaning to post about it for a while, so…

Obviously being in fandom has changed my life in innumerable ways - I mean, many of my close or best friends are people I met through fandom. But being in fandom, and especially reading fanfic and meta, has influenced my ethics. A lot.

Which sounds terrifying, haha, and the start of some kind of clickbait article about fandom ruining young people - which will definitely become more of a thing as fandom gets ever more mainstream.

I was sixteen when I entered fandom and I’m about to turn twenty-eight, so those are some influential years. Now I don’t exactly mean that fandom has influenced what I think is right and wrong - it probably has, but not in any way I could easily unpick, and I suspect that it’s a feedback loop to the extent that it’s true. Like, what I already thought was right and wrong was perhaps settled and entrenched by being in fandom - after all, fandom has lots of disagreements within itself, we’re a bunch of people who often strongly disagree more than a monolith, even when we’re just talking about the smaller communities I’ve been part of within wider fandom. I was already interested in fighting inequality, I already had ideas about responsibility and community-building and kindness in the face of vulnerability, and fandom just gave me new ways to express them and new examples of them.

But there has been a change: the way fandom looks at characters influences the way I look at people )
lokifan: black Converse against a black background (Noct: angry elf)
I just finished a massive fest fic. Under a deadline, having been given many extensions, very kindly. It’s about twice as long as my previous longest fic - it’s the longest thing I’ve written, in fact, original or fanfic. (I should really get on an original novel draft.) I got a big rush of relief when I heard back from the mod but man, I barely have any feelings. All my feelings went into the last week of getting it done.

I have little-to-no sense of whether it’s good. I hope so, though!

More discussion of it later, perhaps, once I can claim it.

Mooooving on -

So my interwebs silence for the last few months has been a lot to do with this fic, as well as the various RL things that led to me needing extensions (a hideous cold, my BFF getting married, the joy of Hallowe’en.) And Episode Ignis, a DLC for my new fandom Final Fantasy XV, came out DAYS ago and I haven’t watched any playthroughs or done anything, because I knew it would cover me in Iggy feelings and I needed to finish this Potter fic.

And I’ve been free for nearly six hours (I finished the fic all night, then collapsed and slept all day) and I still haven’t watched it. I know it’s got a second ending, where you get to live in a happy AU instead of the tragedy of canon - and loooooool I love that even the creators are writing fix-it fic. But omg. Nooooo. I’m scared.

I WILL WATCH IT IN A MINUTE. Probably.

I do really, really want to enjoy some fandom time, playing and RPing and writing and reading, without the sense of omg I should be writing that fic. I’ve not been on Tumblr since Hallowe’en. I haven’t seen the new Star Wars. I haven’t seen Thor. So going on my FFXV Tumblr at least is gonna involve being enjoyably spoiled. And I love these characters so much, I want some more time with them.

But noooooo. OMG the trailer alone, it gives me so many feelings.

cut for the trailer and some speculation as I ramp myself up to actually do this )
lokifan: black Converse against a black background (Prompto: pouty)
He is a total baby when he doesn’t get what he wants.

We don’t see loads of this in the game, but in the game he’s in control basically 100% of the time. (“Death’s chill wind” is about the only time he seems actually taken by surprise, and he is actually looking for death, so…) But sometimes it must happen, and he reacts without the maturity we might hope for from a zillion-year-old statesman.

Ardyn is a very specific combination of getting everything he wants, thanks to being a Machiavellian mastermind with superpowers and a cabinet position, and getting nothing that he really wants, having been supremely fucked over by the gods. So I reckon it’s really easy for him to feel deeply thwarted by minor problems. Every time something doesn’t go his way it is YET ANOTHER INJUSTICE WROUGHT BY THIS CRUEL WORLD AND ITS CRUELLER GODS. *shakes fist at the sky*

Especially if it relates to Noct getting something Ardyn wanted. He haaaaates that.
lokifan: black Converse against a black background (Default)
Hi guys! Wow, it’s been aaaages. I’ve been working like crazy the last few weeks. It should taper off in the next few weeks, or at least the timetabling should get less crazy. (These are the moments when I wonder if I should try qualifying as a secondary school teacher after all, cos I’d get paid a lot more for my exhaustion. My tax form tells me I survived on £12.6k for nine months in London, which is TMI but I’m sharing it because that number keeps rattling around in my head. I don’t know whether it makes me what to curl up and never spend money again or be like I AM A FUCKING GOD OF BUDGETING LET’S DO THIS.)

Anyway.

I’m adding new people here on Dreamwidth, and I’m gonna try and do an intro post/getting-to-know-you meme soon. (As well as brief thoughts on LJ’s latest round of poor choices, and the new series of Doctor Who.) But for now I’m just gonna post what I got, which is a slightly edited Tumblr reblog I want to be able to find again.

The [livejournal.com profile] online_bookclub read Harry Potter and the Cursed Child in April and I was in the group chat for some of it. Something that came up was Delphi’s existence, and the weirdness of the idea of Voldemort and Bellatrix having a baby - and it’s a massive sticking point for people in general, I think, even those who like CC. I was thinking about that, and then my friend [tumblr.com profile] boundingheart posted that “if you can accept that Hagrid’s parents had him, you can accept that Voldemort and Bellatrix had Delphi.”

Now I’m actually totally down for Delphi’s existence (even if I’m firmly Team IT WAS A MAGICAL RITUAL) but I still disagree with that, because there are definitely factors that affect people not accepting Voldemort and Bellatrix conceiving a child that don’t affect Hagrid’s parents. It’s about more than just squick )
lokifan: black Converse against a black background (Default)
So this is Part 1 of the Why Cursed Child Isn’t Queerbaiting post, because this point kept growing and threatening to overwhelm everything else.

As ever, feel free to disagree strongly and tell me about it! We can still be friends :D Although I’m also going to explain why I disagree with you if I do.

I’ve repeatedly seen the idea that Albus and Scorpius’ discussion of his crush on Rose at the end of Cursed Child comes out of nowhere, and therefore constitutes a frantic “no homo” - i.e. the moment that turns queer subtext into queerbaiting, rushing to assure the audience that there’s nothing gay here despite all the homoerotic hinting.

Well, no. For one thing, Scorpius’ feelings about Rose do not come out of nowhere at the end. He says “I think she’s brilliant” right from the start; he’s the one who freaks out when Rose is vanished by the changes to the timeline (“it’s Rose!”) even though she’s Albus’ cousin. Scorpius barely knows her, so this definitely comes across as a crush/hero-worship, but he’s got it going on throughout. But more importantly, Scorpius and Albus are not written as a romance in JKR’s idiom )
lokifan: black Converse against a black background (Default)
Thought I'd post this as well since today is shaping up to be meta day. I’ve come to “who you really are, that doesn’t matter. It’s the legend. The stories, the adventures.”

Noooooooo.

The voiceover at the end gets its own post, because I’m getting into the ~thematic significance and Doctor Who comparisons and such.

we’re all stories in the end )
lokifan: by unlockable (Korra/Asami)
You can tell by how late I am posting this how much I’m interested-yet-not-in-the-fandom. And yet: so many opinions! There'll be another post about "who you really are? it doesn't matter" and stories.

First off: I really enjoyed most of it. I totally get why those who enjoy Sherlock for the, er, Sherlock Holmes elements - solving mysteries - would be disappointed by the relative lack of it. But I share with Mark Gatiss a serious taste for Gothic horror, and that was in evidence not just in the opening sequence but really throughout: an old house, family secrets, a mad, posh family degenerating. I like the shlocky horror too. So I was basically down for that.

It also meant I wasn’t really bothered by Sherlock having forgotten his sister. The mind is sort of amazing when it wants to repress, but more importantly family secrets and voluntary amnesia, and repressing the existence of unpleasantly realities until they force their way into the light? It’s really bloody Gothic and the episode laid its cards on the table right away with that mad opening sequence. So while I really do sympathise with people being infuriated by unrealistic or implausible moments, the psychology hung together for me and I’m all about taking the story on its own terms, within the genre it’s chosen for itself. Sherlock may have a lot of justifiably irritated fans who came for a murder-mystery story as the series has often been, but I didn’t find the shift too difficult.

more thoughts on the finale, some more rageful than others )
lokifan: black Converse against a black background (Default)
Let’s talk about Cursed Child in script vs production. Now obviously the production adds a vast amount of detail & light and shade to the script that can’t exist in the script alone. That’s theatre. But there are a few elements of that and a few outright changes that I want to document for people.

NB: I’ve seen Cursed Child four times in the last seven months, and have seen more than one actor for several key roles including Albus, Scorpius, and Harry. That said my memory is not perfect!

#1 and #2 are the actual script changes, fyi. Everything else is about implication.

script vs production )
lokifan: happy Sokka wearing the "wisdom" mark (Sokka: wisdom)
I saw Cursed Child again last night ♥ ♥ ♥ It was still atmospheric and exciting and beautiful. One of the phrases I keep using to talk about Cursed Child is Epic Friendship, with those capitals. It’s a phenomenon I’ve seen before but I hadn’t thought of it in quite those terms before. So to define: Epic Friendship, to me, is when the relationship itself is a grand story, given great and likely central weight in the narrative in all its nuances, strong and affirming and wonderful. And also when the friendship is central to the fight against evil.

So think of Buffy, Xander, Willow, and Giles, and them joining themselves to fight as one at the end of S4. The Doctor bringing all his companions back to help him. Everything about Steven Universe, most obviously in gem fusion (although that also has a sexual & romantic subtext, of course).

this is where the post gets spoilery for Cursed Child and Sherlock s4 so far )
lokifan: "i'm so enlightened I glow in the dark" (enlightened)
Will reply to comments later, sorry - I’m off to see Cursed Child for the fourth time again! With [livejournal.com profile] mywitch! YAYYYYY!

I’m not in Sherlock fandom but I’m sort of fandom-adjacent; I’ve read a bit of fanfic, and I have enough friends who’re in the fandom and enough awareness of fandom at large to have a (very) vague idea about it and its reactions. And I’ve caught up so I wanted to post this before the last episode airs. Now as ever you’re welcome to disagree; I’ve got dear dear RL friends who are also fans I disagree with on some stuff I’m a lot more invested in :D

Although I imagine the real disagreement will come from the shortly-forthcoming post about queerbaiting and Epic Friendship, because it will involve defending Cursed Child :P

Please to not spoil the next episode, I know nothing!

spoilers for Sherlock series 4 so far )
lokifan: black Converse against a black background (Default)
Part two of my massive rambling Cursed Child post be here. This is getting more into plot, thematic stuff, and particular scenes/moments. spoilers abound, natch )

Sleeptime for me now :) I promise I’ll catch up on comments tomorrow!



joomla visitor

lokifan: black Converse against a black background (Squee! companions)
That was stunning. Truly one of the best pieces of theatre I've ever seen; maybe the best. And I see quite a bit of theatre. As a production in itself it’s slick, funny, emotional, brilliantly put together. And I loved the story.

I can totally see why I heard a couple of people say they thought the idea sounded silly or “like bad fanfic” but as I thought at the time, "a lot of great theatre would sound ridiculous if you just explained the plot”. And yeah. I’m now reading the script and again, I can easily imagine how that would be “meh” which I’ve seen several times, including from non-fandom people - but in performance it is honestly BRILLIANCE. The script, as a friend of mine said, is maybe 5% of everything.

Sorry, I’m aware that I’m very lucky to live within thirty minutes of the West End, and that is probably a really annoying thing to hear. But it’s true.

I’m going to assume you’ve read or seen the play, but if you want me to explain stuff in comments I totally can!

This turned out to be many many words, so I’m going to put it in two parts for all our sakes. This is the stuff about specific characters, and then the next post will be everything else.

okay, SO MANY SPOILERS )

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